To me as a young teen, art was about a love of problem solving. Later in life, I found that there is more to great art than just technique. Problem solving is only part of the process; there is a part that is largely unexplained and unique to every artist. A portrait that is simply a good representation of what someone looks like, feels silent and empty. How then, do artists bring a portrait to life? How can a portrait be imbued with presence?

The things that breathe life into a portrait, and create a presence, are often the things that people consider imperfections. I find that irregularities, such as wrinkles or moles, are often either ignored or exaggerated. Highlights can become overdone, subtle lines can become overworked, or disappear completely.

I always like to work from a sharp, high-definition photo when I am drawing or painting a portrait. When I draw from the photo, I often need to shift my perspective to look at the drawing as a whole, rather than focussing only on the fine details. I have found that the success of an art piece is often down to enigmas that the artist creates. When you suggest a line with a few marks and some shading, the imagination of the viewer somehow sees it as more real. The subtle suggestion of a tear with grey tones, rather than an obvious white highlight, evokes emotion and creates a connection. So in a way, the viewer, who sees these suggestions on a subconscious level, is also creating an interpretation of the art they see, with their empathy and relatability.

The photo I take for a portrait has to capture a moment where I see past the superficial social mask. What interests me in a portrait is a depth in the eyes, a touch of sadness, or a spark of joy. Perhaps what I see is a reflection of my own sadness or joy, and something I feel I can identify with. Stories of adversity, survival, strength of character, all motivate me to want to create a portrait. I especially like to hear a happy ending!

There are moments when we look at a partner, a grandparent, a child, sometimes even a stranger, or a pet. When the light is just right, or they look at you while distracted by other thoughts, or you watch them while they sleep, and it stops you in your tracks. You see something that resonates, or perhaps it reflects something in yourself, a glimpse of an answer to a question that we live, rather than ask. These are the moments that artists see, and capture for others to relate to and understand. When we stand in front of a great portrait, we are held by the presence. We feel entranced and connected to people, to this world and our place in it.

An exhibition of Christie Cassisa’s work is on show now at The Stables Gallery in Hastings Old Town until 27 September. A meet-the-artist event will be held on Saturday 30th August at 11.30 until 1pm with refreshments and snacks available.